“All through that winter and into the spring, when our Tuesday and Thursday-night dinner shifts were done, Matt and I would sit at the long table near the salad bar and plan his end-of-the-year party, our voices echoing importantly in the cavernous wood-panelled dining hall.”

“The entrance hall was designed to impress. The floor was a buttery cream-colored marble and the walls were paneled in dark wood. I'm not a lumberjack, so I had no idea what kind of wood it was, but it looked expensive.”

“Howard was almost as fond of this hall as he was of his own shop. The Brownies used it on Tuesdays, and the Women's Institute on Wednesdays. It had hosted jumble sales and Jubilee celebrations, wedding receptions and wakes, and it smelled of all of these things: of stale clothes and coffee urns, and the ghosts of home-baked cakes and meat salads; of dust and human bodies; but primarily of aged wood and stone.”

“You hit the Winter Prince, woman. Now you have to pay.” Her lips parted when he kissed her again, long and slow. “I like the price,” she whispered, her voice echoing in his mind. “This is just a down payment,” Jatred murmured. “I will work out a payment plan for you.”

“The dead sit at our tables long after they have gone.”

“When the last autumn of Dickens's life was over, he continued to work through his final winter and into spring. This is how all of us writers give away the days and years and decades of our lives in exchange for stacks of paper with scratches and squiggles on them. And when Death calls, how many of us would trade all those pages, all that squandered lifetime-worth of painfully achieved scratches and squiggles, for just one more day, one more fully lived and experienced day? And what price would we writers pay for that one extra day spent with those we ignored while we were locked away scratching and squiggling in our arrogant years of solipsistic isolation?Would we trade all those pages for a single hour? Or all of our books for one real minute?”