“The cry that 'fantasy is escapist' compared to the novel is only an echo of the older cry that novels are 'escapist' compared with biography, and to both cries one should make the same answer: that freedom to invent outweighs loyalty to mere happenstance, the accidents of history; and good readers should know how to filter a general applicability from a particular story.”

“[A]nd the wizened youth trembles more and more violently, wrinkles his nose and then pounces on the story. But only I know the story, the real story. And it is simple and cruel and true and it should make us laugh, it should make us die laughing. But we only know how to cry, the only thing we do wholeheartedly is cry.”

“Crying is one of the highest devotional songs. One who knows crying, knows spiritual practice. If you can cry with a pure heart, nothing else compares to such a prayer. Crying includes all the principles of Yoga.”

“Crying babies are like good intentions: Both should be carried out immediately!”

“Other people's history can be read comfortably, the way a novel can be read comfortably. By my own history? I'm on the run from my own history, and catching my breath in the present. Escapist. But the merciless present pushes us back again toward our history. The mind keeps talking.”

“Every novel is brand-new. It’s never been written before in the history of the world. At the same time, it’s merely the latest in a long line of narratives—not just novels, but narratives generally—since humans began telling stories to themselves and each other.”