“His wife was crying, and he felt nothing; only each time she sobbed in this profound, this silent, this hopeless way, he descended another step into the pit.”

“And all the time she felt the reflection of his hopelessness in her. She couldn't quite, quite love in hoplessness. And he, being hopeless, couldn't ever love at all.”

“He moved around the wide counter, silent as always. She was sitting on the floor, her arms wrapped around her knees, her fist in her mouth to try to quiet her sobs, and he realized he hadn’t actually seen her cry before. [..]She must have felt his eyes on her, for she suddenly swallowed her sob on a choked gasp and looked up at him, her huge, sorrow-filled eyes a sharper pain than the knife slash.He moved slow enough, so as not to spook her, to give her plenty of time to move, but she stayed where she was, her huge eyes looking into his, and she fucking broke his heart, if he still possessed such a useless organ.”

“He could not talk himself out of pain any longer. He had no one to be strong for. So finally, he cried. He cried with deep sobs, head bent to the ground, palms pressed to his eyes. He cried so hard that sorrow rushed out of his face. He cried until he felt like the sea.”

“He does something to me, that boy. Every time. It’s his only detriment. He steps on my heart. He makes me cry.”

“She remained silent. There was nothing left to say. He'd said it all the night before. He had to end it. He could never leave his wife. And, in fact, she had known this. Although she loved him - and truly she did - he wasn't hers. He belonged to his wife. She'd earned him. It didn't matter that he was her first love or that she was his passion. It didn't matter that they had loved one another for more than half their lives. It didn't matter that he had married his wife on the rebound. It didn't matter that he didn't love the woman. It didn't even matter that they had turned into some soap-opera cliche. He was married to someone else and that meant that she was leftovers and destined to remain on the periphery in the shadow of another woman's marriage. But no more. She was well and truly sick of it. ”