“The root of heterosexual fear of male homosexuality is in the fact that anyone might be gay. Straight men aren't threatened by a flamboyant faggot because they know they aren't like that; they're threatened by a guy who's just like they are who turns out to be queer.”

“According to Padilla, remembered Amalfitano, all literature could be classified as heterosexual, homosexual, or bisexual. Novels, in general, were heterosexual. Poetry, on the other hand, was completely homosexual. Within the vast ocean of poetry he identified various currents: faggots, queers, sissies, freaks, butches, fairies, nymphs, and philenes. But the two major currents were faggots and queers. Walt Whitman, for example, was a faggot poet. Pablo Neruda, a queer. William Blake was definitely a faggot. Octavio Paz was a queer. Borges was a philene, or in other words he might be a faggot one minute and simply asexual the next.”

“[Looking like a straight girl] means wearing clothes that seek and destroy comfort. These are garments designed by gay men to attract heterosexual men. The straight girl is simply the hanger for an inside joke.”

“If a man is straight, there is no reason for him to feel threatened by a gay man.”

“(well, LOVE and gay rights - three cheers for straight girls who max out on helping gay guys)”

“The texts' representation of homosexuality thus overturn the Christian fundamentalist accusation that it is sinful because it is not procreative. As the boys produce new beings through gay sex, they empower both themselves and the site of their desire, the anus. The heterosexual fear of the anus as a "grave", as death, and as nothingness, is challenged and transformed into a queer celebration of its role as a site of desire and alternate reproduction.”