“By his very profession, a serious fiction writer is a vendor of the sensuous particulars of life, a perceiver and handler of things. His most valuable tools are his sense and his memory; what happens in his mind is primarily pictures.”

“The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.”

“What should one do? If Ruth had any better luck with him I would have thought that he simply had to attach himself to antifatherly gods until he proved himself a man in his own terms...She followed him to the bottom of his burrow, trying to understand, she forgave him incessantly, she was the pacifying force when he and I clashed. And he went out of his way to treat her with even greater impatience and contempt than he treated me. His wretched treatment of his mother was one of the commonest sources of our quarrels. Sometimes I wondered if he didn't abuse her because she tended to take his side - he wanted no mediator between us.”

“He looks into his Dixie cup and looks back up as if surprised at what he found there. The future, maybe.”

“Some people, I am told, have memories like computers, nothing to do but punch the button and wait for the print-out. Mine is more like a Japanese library of the old style, without a card file or an indexing system or any systematic shelf plan. Nobody knows where anything is except the old geezer in felt slippers who has been shuffling up and down those stacks for sixty-nine years. When you hand him a problem he doesn't come back with a cartful and dump it before you, a jackpot of instant retrieval. He finds one thing, which reminds him of another, which leads him off to the annex, which directs him to the east wing, which sends him back two tiers from where he started. Bit by bit he finds you what you want, but like his boss who seems to be under pressure to examine his life, he takes his time.”

“What little strength he had left flowed out of him and was soaked up; his bones and veins and skin held nothing but tiredness and pain.”

“Ideas, of course, have a place in fiction, and any writer of fiction needs a mind. But ideas are not the best subject matter for fiction. They do not dramatize well. They are, rather, a by-product, something the reader himself is led to formulate after watching the story unfold. The ideas, the generalizations, ought to be implicit in the selection and arrangement of the people and places and actions. They ought to haunt a piece of fiction as a ghost flits past an attic window after dark.”