“Before I lost my father, I never understood the rituals surrounding funerals: the wake, the service itself, the reception afterward,the dinners prepared by well-meaning friends and delivered in plastic containers, even the popular habit of making poster boards filled with photos of the dear departed. But now I know why we do those things. It's busywork, all of it. I had so much to take care of, so many arrangements to make, so many people to inform, I didn't have a moment to be engulfed by the ocean of grief that was lapping at my heels. Instead, I waded through the shallows, performing task after task, grateful to have duties to propel me forward.”

“I suppose I was artistic as a child. Our house was so full of art and artists that it never occurred to me not to be constantly making things. I just assumed that all kids liked to work with their hands as much as I did. I was an only child so I did have a lot of time to be creative by myself and with my parents.”

“No I am not okay. I've just been pulled out of play tryouts where I had to be the first to audition and everyone's trying out for the same parts, I just had a very bizarre conversation with the school secretary, Megan may be throwing up her cucumber sandwiches, I've broken five of the seven deadly sins in as many hours, a demon may be inside a girl in my world religions class, Grant Brawner called me by name, my license photo looks like a dead fish, I have to drive my friends all over town in two hours when I've never even driven without Dad before, none of my birthday wishes have come true yet, and now you're here with muffins like I'm in second grade? So, no, I am not ok.”

“I can't believe I'm about to drink with my father- this is wrong on so many levels.”

“My mother used to read to me every night when I was little. We got through most of the major fantasy books of that time. The Narnia books by C.S. Lewis were my favorites and, later, Tolkien's The Lord of the Rings. I started making dolls to fill in the gaps of the dolls I had. Obviously we couldn't buy centaurs and fauns and elves and fairies, so I made them to play with the normal dolls I had. I must have been about six years old when I started making fantasy dolls.”

“Emma smacks the back of my head. “It’s just boobs. Even I have a pair. No reason to stare so hard. Put your eyes back in your head.” She grabs my hand, leading me toward the bar . . . and positions me with my back to the stage.“But you’ve never shown me yours. Take your shirt off, and I’ll stare at yours instead.” “You did not just say that.”“Yeah, I think I did.”“Men.” She rolls her eyes.”

“I like to think of the figures I make as companions for a personal journey. I try to fill each one with healing energy that responds to the person who owns it, and conversely, I hope that the person who owns it will respond with a true heart connection. I feel that my work is a sign post to the half forgotten world that we all carry inside of us. When people look at my work, I want them to think "Oh, now I remember." If they do that then I know that they have been successful.”