“That after an hour's silence he can say, The one thing I cannot stand is dampness... That's all, it took him an hour to work that out.”

William Gaddis

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“That's what I can't stand. I know I'll bounce back, and that's what I can't stand.”


“When he was left alone, when he had pulled out one stop after another (for the work required it), Stanley straightened himself on the seat, tightened the knot of the red necktie, and struck. The music soared around him, from the corner of his eye he caught the glitter of his wrist watch, and even as he read the music before him, and saw his thumb and last finger come down time after time with three black keys between them, wringing out fourths, the work he had copied coming over on the Conte di Brescia, wringing that chord of the devil’s interval from the full length of the thirty-foot bass pipes, he did not stop. The walls quivered, still he did not hesitate. Everything moved, and even falling, soared in atonement. He was the only person caught in the collapse, and afterward, most of his work was recovered too, and it is still spoken of, when it is noted, with high regard, though seldom played.”


“That was Youth with its reckless exuberance when all things were possible pursued by Age where we are now, looking back at what we destroyed, what we tore away from that self who could do more, and its work that's become my enemy because that's what I can tell you about, that Youth who could do anything. ”


“-We live in Rome, he says, turning his face to the room again,-Caligula's Rome, with a new circus of vulgar bestialized suffering in the newspapers every morning. The masses, the fetid masses, he says, bringing all his weight to his feet.-How can they even suspect a self who can do more, when they live under absolutely no obligation. There are so few beautiful things in the world...”


“--Here, my good man. Could you tell me whereabouts Horatio Street...good heavens.Thus called upon, he took courage; the sursum corda of an extravagant belch straightened him upright, and he answered, --Whfffck? Whether this was an approach to discussion he had devised himself, or a subtle adaptation of the Socratic method of questioning perfected in the local athenaeums which he attended until closing time, was not to be known; for the answer was,--Stand aside.”


“Say a word, say a thousand to me on the telephone and I shall choose the wrong one to cling to as though you had said it after long deliberation when only I provoked it from you, I will cling to it from among a thousand, to be provoked and hurl it back with something I mean no more than you meant that, something for you to cling to and retreat clinging to.”