“Mailer famously labeled writing the spooky art. He was right. There's a lot of frontal lobe blather, a lot of pencil-sharpening and knuckle-cracking and drafting and chat, but the big decisions are made in the locked subconscious, decisions not just on the writing but on the conditions for writing: I resolve on the one story I've never told and lo! Here I sit, holed up in a house that means nothing to me, bone-certain no other places will do. Art, even the humble autobiographer's, invokes occult necessities.”

“I know what the majority of you think about all this. All this sex and money and drugs. You think: people who live like that never end up happy. You need to think that in just the way men with small penises need to think size doesn't matter. It's understandable. The rich, the famous, the big-dicked, the slim-and-gorgeous - they can incite an envy so urgent that you can escape it only by translating it into pity. People who live like that never end up happy. Yes, you're right. But neither do you. And in the meantime, they've had all the sex and drugs and money.”

“It's a ridiculous story, of course, but history's full of ridiculous stories. 'You can't make this shit up,' one finds oneself saying, whenever the seemingly prosaic old world lifts the veil on its synchronicities. Meanwhile the seemingly prosaic old world shrugs: Hey, don't ask me. I just work here.”

“Only meaning can make a difference and we all know there's no meaning. All stories express a desire for meaning, not meaning itself. Therefore any difference knowing the story makes is a delusion.”

“Yes, Eden was beautiful- and if I had to squeeze through corporeal keyholes to crash it- so be it. (Hasn’t it bothered you, this part of the story, my being there, I mean? What was I doing there? ‘Presume not the ways of God to scan,’ you’ve been told in umpteen variations, ‘the proper study of Mankind is Man.’ Maybe so, but what, excuse me, was the Devil doing in Eden?) I took the forms of animals. I found I could. (That’s generally my reason for doing something, by the way, because I find I can.)”

“You're fond, I imagine of your right eye? I mean, you've gone to the trouble of putting make up on it.”

“Simultaneously (in the inner voice of a female American cultural studies professor): Only meaning can make a difference and we all know there's no meaning. All stories express a desire for meaning, not meaning itself. Therefore any difference knowing the story makes is a delusion.”