Patrick Suskind

“Als Schubert so alt war wie ich, da war er schon drei Jahre tot.”

“He had preserved the best part of her and made it his own: the principle of her scent.”

“This scent had a freshness, but not the freshness of limes or pomegranates, not the freshness of myrrh or cinnamon bark or curly mint or birch or camphor or pine needles, not that of a May rain or a frosty wind or of well water... and at the same time it had warmth, but not as bergamot, cypress, or musk has, or jasmine or daffodils, not as rosewood has or iris... This scent was a blend of both, of evanescence and substance, not a blend, but a unity, although slight and frail as well, and yet solid and sustaining, like a piece of thin, shimmering silk... and yet again not like silk, but like pastry soaked in honey-sweet milk - and try as he would he couldn't fit those two together: milk and silk! This scent was inconceivable, indescribable, could not be categorized in any way - it really ought not to exist at all. And yet there it was as plain and splendid as day.”

“Nel sole di marzo, mentre era seduto su una catasta di ceppi di faggio che scricchiolavano per il caldo, avvenne che egli pronunciasse per la prima volta la parola «legno». Aveva già visto il legno centinaia di volte, aveva sentito la parola centinaia di volte. La capiva anche, infatti d'inverno era stato mandato fuori spesso a prendere legna. Ma il legno come oggetto non gli era mai sembrato così interessante da darsi la pena di pronunciarne il nome. Ciò avvenne soltanto quel giorno di marzo, mentre era seduto sulla catasta. La catasta era ammucchiata a strati, come una panca, sul lato sud del capannone di Madame Gaillard, sotto un tetto sporgente. I ceppi più alti emanavano un odore dolce di bruciaticcio, dal fondo della catasta saliva un profumo di muschio, e dalla parete d'abete del capannone si diffondeva nel tepore un profumo di resina sbriciolata.Grenouille era seduto sulla catasta con le gambe allungate, la schiena appoggiata contro la parete del capannone, aveva chiuso gli occhi e non si muoveva. Non vedeva nulla, non sentiva e non provava nulla. Si limitava soltanto ad annusare il profumo del legno che saliva attorno a lui e stagnava sotto il tetto come sotto una cappa. Bevve questo profumo, vi annegò dentro, se ne impregnò fino all'ultimo e al più interno dei pori, divenne legno lui stesso, giacque sulla catasta come un pupazzo di legno, come un Pinocchio, come morto, finché dopo lungo tempo, forse non prima di una mezz’ora, pronunciò a fatica la parola «legno». Come se si fosse riempito di legno fin sopra le orecchie, come se il legno gli arrivasse già fino al collo, come se avesse il ventre, la gola, il naso traboccanti di legno, così vomitò fuori la parola. E questa lo riportò in sé, lo salvò, poco prima che la presenza schiacciante del legno, con il suo profumo, potesse soffocarlo. Si alzò a fatica, scivolò giù dalla catasta, e si allontanò vacillando come su gambe di legno. Per giorni e giorni fu preso totalmente dall'intensa esperienza olfattiva, e quando il ricordo saliva in lui con troppa prepotenza, borbottava fra sé e sé «legno, legno», a mo' di scongiuro.”

“So spoke Grenouille the Great and, while the peasantry of scent danced and celebrated beneath him, he glided with wide-stretched wings down from his golden clouds, across the nocturnal fields of his soul, and home to his heart.”

“And the awful thing was that Grenouille, although he knew that this odour was his odour, could not smell it. Virtually drowning in himself, he could not for the life of him smell himself!”

“He would be able to create a scent that was not merely human, but super human, an angels scent, so indescribably good and vital that who ever smelt it would be enchanted and with his whole heart would have to love him.”

“For people could close their eyes to greatness, to horrors, to beauty, and their ears to melodies or deceiving words. But they couldn't escape scent. For scent was a brother of breath. Together with breath it entered human beings, who couldn't defend themselves against it, not if they wanted to live. And scent entered into their very core, went directly to their hearts, and decided for good and all between affection and contempt, disgust and lust, love and hate. He who ruled scent ruled the hearts of men.”

“Never before in his life had he known what happiness was. He knew at most some very rare states of numbed contentment. But now he was quivering with happiness and could not sleep for pure bliss. It was as if he had been born a second time; no, not a second time, the first time, for until now he had merely existed like an animal with a most nebulous self-awareness. but after today, he felt as if he finally knew who he really was: nothing less than a genius... He had found the compass for his future life. And like all gifted abominations, for whom some external event makes straight the way down into the chaotic vortex of their souls, Grenouille never again departed from what he believed was the direction fate had pointed him... He must become a creator of scents... the greatest perfumer of all time.”

“and Grenouille’s mother, who was still a young woman, barely in her mid-twenties, and who still was quite pretty and had almost all her teeth in her mouth and some hair on her head and – except for gout and syphilis and a touch of consumption – suffered from no serious disease, who still hoped to live a while yet, perhaps a good five or ten years, and perhaps even to marry one day and as the honorable wife of a widower with a trade or some such to bear real children... Grenouille’s mother wished that it were already over.”

“Grenouille’s mother, however, perceived the odor neither of the fish nor of the corpses, for her sense of smell had been utterly dulled, besides which her belly hurt, and the pain deadened all susceptibility of sensate impressions.”

“The rivers stank, the marketplaces stank, the churches stank, it stank beneath the bridges and in the palaces. The peasant stank as did the priest, the apprentice as did his master’s wife, the whole of the aristocracy stank, even the king himself stank, stank like a rank lion, and the queen like an old goat, summer and winter.”

“There was only one thing the perfume could not do. It could not turn him into a person who could love and be loved like everyone else. So, to hell with it he thought. To hell with the world. With the perfume. With himself”

“There were no mad flashings of the eye, no lunatic grimace passed over his face. He was not out of his mind, which was so clear and buoyant that he asked himself why he wanted to do it at all. And he said to himself that he wanted to do it because he was evil, thoroughly evil. And he smiled as he said it and was content. He looked quite innocent, like any happy person.”

“It was good, really, that this external world still existed, if only as a place of refuge.”

“He had to hold his body very still, very still, like some vessel about to slosh over from too much motion. Gradually he managed to get control of his breathing. His excited heart beat more steadily; the pounding of the waves inside him subsided slowly. And suddenly solitude fell across his heart like a dusky reflection. He closed his eyes. The dark doors within him opened, and he entered. The next performance in the theatre of his soul was beginning.”

“And he wallowed in disgust and loathing, and his hair stood on end at the delicious horror.”

“Porque los hombres podían cerrar los ojos ante la grandeza, ante el horror, ante la belleza, y cerrar los oídos a las melodías o las palabras seductoras, pero no podían sustraerse al perfume. Porque el perfume era hermano del aliento. Con él se introducía en los hombres y si éstos querían vivir, tenían que respirarlo. Y una vez en su interior, el perfume iba directo al corazón y allí decidía de modo categórico entre inclinación y desprecio, aversión y atracción, amor y odio. Quien dominaba los olores, dominaba el corazón de los hombres.”

“Something was happening whileyou waited. The most essential thing was happening. And even if he himself was doingnothing, it was happening through him nevertheless. He had done his best. He hademployed all his artistic skill. He had made not one single mistake. His performance hadbeen unique. It would be crowned with success.... He need only wait a few more hours. Itfilled him with profound satisfaction, this waiting. He had never felt so fine in all his life,so peaceful, so steady, so whole and at one with himself”

“bathed in sweat and trembling with agitation, no,not with agitation, but with fear, for he finally admitted it to himself: it was naked fearthat had seized him, and in admitting it he grew calmer and his thoughts clearer”

“She had a face socharming that visitors of all ages and both sexes would stand stockstill at the sight of her,unable to pull their eyes away, practically licking that face with their eyes, the waytongues work at ice cream, with that typically stupid, single--minded expression on theirfaces that goes with concentrated licking”

“And now fear spread over the countryside. People no longer knew against whomto direct their impotent rage.”

“And even knowing that to possess that scent he must pay the terrible price of losing itagain, the very possession and the loss seemed to him more desirable than a prosaicrenunciation of both. For he had renounced things all his life. But never once had hepossessed and lost.”

“And because people are stupid and use their noses only for blowing, but believe absolutely anything they see with their eyes, they will say it is because this is a girl with beauty and grace and charm.”

“He was a master in the art of spreading boredom and playing the clumsy fool-though never so egregiously that people might enjoy making fun of him or use him as the butt of some crude practical joke inside the guild. He succeeded in being considered totally uninteresting. People left him alone. And that was all he wanted.”

“He had used only a drop of his perfume for his performance in Grasse. There was enough left to enslave the whole world. If he wanted, he could be feted in Paris, not by tens of thousands, but by hundreds of thousands of people; or could walk out to Versailles and have the King kiss his feet; write the Pope a perfumed letter and reveal himself as the new Messiah; be anointed in Notre-Dame as Supreme Emperor before kings, or even as God come to earth.”

“…in that moment, as he saw and smelled how irresistible its effect was and how with lightning speed it spread and made captives of the people all around him—in that moment his whole disgust for humankind rose up again within him and completely soured his triumph, so that he felt not only no joy, but not even the least bit of satisfaction. What he had always longed for—that other people should love him—became at the moment of his achievement unbearable, because he did not love them himself, he hated them. And suddenly he knew that he had never found gratification in love, but always only in hatred—in hating and in being hated.”

“He had escaped the abhorrent taint! He was truly completely alone! He was the only human being in the world!”

“Virtually drowning in himself, he could not for the life of him smell himself.”

“People left him alone. And that was all he wanted.”

“He had no use for sensual gratification, unless that gratification consisted of pure, incorporeal odors.”

“He decided in favor of life out of sheer spite and malice.”

“Aveva un odore semplice, il mare, ma nello stesso tempo così vasto e unico nel suo genere, che Grenouille esitava a suddividerlo in odore di pesce, di sale, di acqua, di alga, di fresco e così via. Preferiva lasciare intatto l'odore del mare, lo custodiva intero nella memoria e lo godeva indiviso. L'odore del mare gli piaceva tanto che avrebbe desiderato una volta averlo puro, non mescolato e in quantità tale da potersene ubriacare.”

“She was indeed a girl of exquisite beauty. She was one of those languid women made of dark honey smooth and sweet and terribly sticky.”

“When they finally did dare it, at first with stolen glances and then candid ones, they had to smile. They were uncommonly proud. For the first time they had done something out of Love.”

“He looks as if he were three or four; looks just like one of those unapproachable, incomprehensible, willful little prehuman creatures, who in their ostensible innocence think only of themselves, who want to subordinate the whole world to their despotic will, and would do it, too, if one let them pursue their megalomaniacal ways and did not apply the strictest pedagogical principles to guide them to a disciplined, self-controlled, fully human existence.”

“...talent means nothing, while experience, acquired in humility and with hard work, means everything.”

“He lay in his stony crypt like his own corpse, hardly breathing, his heart hardly beating - and yet lived as intensively and dissolutely as ever a rake had lived in the wide world outside.”

“He had withdrawn solely for his own personal pleasure, only to be near to himself. No longer distracted by anything external, he basked in his own existence and found it splendid.”

“For here, inside the crypt, was where he truly lived. Which is to say, for well over twenty hours a day in total darkness and in total silence and in total immobility, he sat on his horse blanket at the end of the stony corridor, his back resting on the rock slide, his shoulders wedged between the rocks and enjoyed himself.”

“As he took possession of it, he was overcome by a sense of something like sacred awe. He carefully spread his horse blanket on the ground as if dressing an altar and lay down on it. He felt blessedly wonderful. He was lying a hundred and fifty feet below the earth, inside the loneliest mountain in France - as if in his own grave. Never in his life had he felt so secure, certainly not in his mother's belly. The world could go up on flames out there, but he would not even notice it here. He even began to cry softly. He did not know who to thank for such good fortune.”

“Not a visible enthusiasm but a hidden one, an excitement burning with a cold flame.”

“And suddenly solitude fell across his heart like a dusty reflection. He closed his eyes. The dark doors within him opened and he entered. The next performance in the theater of Grenouille's soul was beginning.”

“He was not bound. No one led him by the arm. He got out of the carriage as if he were a free man.”

“He possessed the power. He held it in his hand. A power stronger than the power of money or the power of terror or the power of death: the invincible power to command the love of mankind. There was only one thing that power could not do: it could not make him able to smell himself.”

“He who ruled scent ruled the hearts of men.”

“Cet homme paraissait être tellement fatigué de sa vie qu'il ne voulait même pas vivre ses dernières heures éveillé.”

“Dalszą pozycją w jego arsenale był zapach wzbudzający litość, skuteczny na kobiety w średnim i podeszłym wieku. Trącił rozwodnionym mlekiem i czystym białym drewnem. Grenouille – nawet jeżeli zjawiał się nieogolony, z ponurą miną i w wierzchnim okryciu – sprawiał wówczas zabiedzonego, bledziutkiego chłopaczka w postrzępionej kurtce, któremu koniecznie trzeba pomóc. Przekupki na rynku, poruszone tym zapachem, wtykały mu orzechy i suszone gruszki, ponieważ wydawał im się wygłodzony i bezradny. Rzeźniczka zaś, skądinąd kawał jędzy, pozwalała mu wybierać stare cuchnące ochłapy mięsa i kości i zabierać to sobie gratis, ponieważ ów zapach niewinności wzruszał jej macierzyńskie serce.”

“Moonlight knew no colors and traced the contours of the terrain only very softly. It covered the land a dirty gray, strangling life all night long. This world molded in lead, where nothing moved but the wind that fell sometimes like a shadow over the gray forests, and where nothing lived but the scent of the naked earth, was the only world he accepted, for it was much like the world of his soul.”

“He had a mighty urge to pull out his pistol and let loose in every directon, right into the coffeehouse, smack through it's glass windows, till there was nothing but crashing and tinkling, right into the middle of the ruck of cars or simply into the middle of one of the gigantic buildings across the way, those ugly, tall, menacing buildings, or into the air, straight up, into the heavens, yes, into the hot sky, into the horrible, oppressive, vaporous, pigeon blue-grey sky, bursting it, sending the leaden lid crashing with one shot, smashing down and pulverizing everything and burying it all, all of it, the whole miserable, dreary, loud, stinking world...”